You can listen to Tennyson reading the poem here: it’s one of the very first recordings of a poet reading their own work (though not quite the first: that honour goes to Robert Browning). Tennyson’s use of the word ‘left’ (‘All that was left of them, / Left of six hundred’) picks up on the word’s use earlier in the same stanza (‘Cannon to left of them’), but shifts the word’s meaning from a spatial sense to one denoting the sacrifice the men have made.Īs the old line attributed to Bertrand Russell has it, war doesn’t determine who is right – only who is left. Why are these men, members of this light brigade, being ordered to charge into the heavy cannon-fire of the enemy?Īfter the charge, not much remains of the ‘six hundred’ who rode into battle – nearly half of them had sustained heavy injuries or been killed, while the other half felt that the whole charge had been a colossal waste of life. The absence of ‘the’ from the line also makes it sound a little odd or unnatural, once again suggesting that there is something wrong here. They will do it and die, for queen and country.Īnother line that is often misremembered is ‘Cannon to right of them’, which is sometimes erroneously rendered as ‘Cannon to the right of them’, which disrupts the rigid rhythm of the line (the poem is written largely in dactylic metre): the omission of ‘the’ makes the line sound slightly curtailed and hurried, evoking the rashness of the charge itself. But Tennyson’s point is that there is no question of whether the soldiers will fail to carry out their military duty, even when presented with such a wrongheaded command to charge. The famous line of the poem, ‘Their’s but to do and die’, is often misquoted as ‘Their’s but to do or die’, which gives the poem a different inflection. Many of Tennyson’s Victorian readers would have found such a message comforting, despite some of them – and Tennyson himself – harbouring doubts over the literal truth of Christianity. When can their glory fade? O the wild charge they made! All the world wonder’d.As with much war poetry – and ‘The Charge of the Light Brigade’ is, after all, a war poem – Tennyson uses biblical allusions to bring home the grand sacrifice made by the soldiers: ‘the valley of death’ is from the 23rd Psalm (that’s the one that begins ‘The Lord is my shepherd…’): ‘Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me thy rod and thy staff they comfort me.’Īs well as contributing to the sonorous note of the poem, this allusion also offers comfort: men may make blunders, but the Lord will see that good overcomes evil. Cannon to right of them, Cannon to left of them, Cannon behind them Volley’d and thunder’d Storm’d at with shot and shell, While horse and hero fell, They that had fought so well Came thro’ the jaws of Death, Back from the mouth of Hell, All that was left of them, Left of six hundred. Then they rode back, but not Not the six hundred. Flash’d all their sabres bare, Flash’d as they turn’d in air Sabring the gunners there, Charging an army, while All the world wonder’d: Plunged in the battery-smoke Right thro’ the line they broke Cossack and Russian Reel’d from the sabre-stroke Shatter’d and sunder’d. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley’d and thunder’d Storm’d at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred. "Forward, the Light Brigade!" Was there a man dismay’d? Not tho’ the soldier knew Some one had blunder’d: Theirs not to make reply, Theirs not to reason why, Theirs but to do and die: Into the valley of Death Rode the six hundred. "Forward, the Light Brigade! Charge for the guns!" he said: Into the valley of Death Rode the six hundred. Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred.
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